In May 2017, urban taxis were replaced with new seat covers

On June 8, 2011, the loving sister Hu Jinyu sent the college entrance examination candidates for free

The first generation taxi Fiat

One of the second-generation taxi models, Fukang

One of the second generation taxi models Van

The third-generation taxi new Elysee

All Media Chief Reporter Li Xinghui Correspondent Hu Jian Intern Huang Wenyan

playback

The first taxi was introduced in 1980

Although the number of private cars is increasing, taxis are still an important means of public transportation in the city. Taxi passenger transportation in Xiangyang began in 1980.

It is understood that that year, Xiangyang City Rental and Public Car Company purchased two Fiat cars for taxi passenger transportation, mainly operating chartered business.

Three years later, the number of taxis in the urban area increased to six. By 1989, the municipal government allowed state-owned, collective and individual taxis to operate in accordance with the development of the national economy. The number of taxis soared to 48, 68 in 1992 and 90 in 1993. However, at this time, the operation mode of taxis was mainly to wait for passengers and charter passengers, and still did not go to the road to pick up passengers.

In 1995, urban taxis were uniformly installed with meters, and began to carry passengers on the road, charging according to the mileage displayed by the meters.

new visit

It has undergone seven major changes

From owning the first taxi to 2018, our city’s taxi market has undergone seven major transformations.

In 1996, Xiangyang City began to implement macro-control on the total number of taxis in the urban area, and implemented the paid use of taxi management rights. In that year, taxis were uniformly replaced with "T" license plates and installed taxi headlights. In 2001, the "T" license plate number segment for urban taxis was uniformly replaced with the "X" license plate segment. There are more than ten types of taxi models such as Alto, Van, and Fukang, and the freight rates are also different.

In 2003, after the original Xiangyang County was removed from the county and set up as a district, the Xiangyang Municipal Government brought the taxis in the original Xiangyang District into the unified management of Xiangyang City. With the approval of the provincial government, Xiangyang City increased the number of taxis by 180, bringing the total to 1,700. In the same year, the municipal government decided to phase out the taxis in three years and replace them all with Fukang cars. On July 6, 2005, the last yellow-faced taxis in Xiangyang City were withdrawn from the market, and all urban taxis were Fukang models. Since August 2008, urban taxis have been gradually replaced by Elysee models.

Since 2006, in response to the impact of rising oil prices on the taxi industry, the Municipal Passenger Management Office has negotiated with the public security vehicle management, price, technical supervision and other departments, and decided to convert the fuel to gas for taxis in the city. In December 2007, the oil-to-gas conversion of taxis in Xiangyang City was completed.

In July 2013, the municipal party committee and municipal government licensed the operation rights of 500 new taxis to the municipal public transportation company, pioneering a new road of "zero docking, zero contracting, zero shift fee, and zero part money" and "public bus" in the country.

In July 2016, according to the "Guiding Opinions of the General Office of the State Council on Deepening Reform and Promoting the Healthy Development of the Taxi Industry", the city started to deepen the reform of the taxi industry. In August of the same year, urban taxis stopped collecting paid transfer fees for operating rights, and cruise taxis officially entered the stage of free use of operating rights. At the same time, the legalization of online car-hailing was quickly started. After a year of preparation, the detailed rules for the implementation of online car-hailing have been revised more than ten times and were officially announced and implemented on December 7, 2017.

On January 26, 2018, our city issued the first online car-booking business license. On March 20, 2018, the first legal online car-hailing car officially went into operation. On September 25, 2018, Xiangyang’s local online car-hailing platform "Xiangyang Travel" APP was officially launched, and Xiangyang’s taxi industry officially entered the era of "cruise + online appointment".

In October 2018, the municipal transportation department integrated the original 23 intensive management companies into three modern cruise car companies with a certain scale, further clarifying the ownership of vehicle property rights, operating rights, and company intensive management rights, and resolving industry contradictions.

Outlook

"Internet + transportation" will bring more convenience

Taxi cars have been available in our city for 39 years.

Over the past 39 years, the urban taxi industry has continued to develop through reform. Today, there are 2,200 urban cruise taxis, 4 cruise taxi companies, about 5,000 employees, a daily operating mileage of 400 kilometers for bicycles, a daily operating income of about 600 yuan, and a daily passenger volume of about 200,000. There are 15 online ride-hailing platform companies, 688 online ride-hailing cars, and nearly 6,000 drivers have applied for online ride-hailing driver licenses.

With the deepening of reform, the operating environment of taxis will continue to improve. The rapid development of "Internet + transportation" will bring more convenience to citizens’ travel.

Witnesses say

Continuously enhance the citizen’s ride experience

In December 1989, at the age of 19, Yang Yongjun joined the Municipal Passenger Transport Management Office, which was established that year, and has been a law enforcement officer for 30 years. "There were only eight people in the entire Passenger Transport Management Office at that time. Now, there are more than 30 people in our three management offices alone," Yang Yongjun said.

Yang Yongjun introduced that Xiangyang’s first taxi company was Oriental Pearl Taxi Company, which was affiliated to the Oriental Chemical Plant and had 10 Alto; after that, Hubei Chemical Fiber Taxi Company and Light Boat Taxi Company entered the taxi market; later, Auto Trade Taxi Company appeared, and the yellow face entered the lives of Xiangyang people. "In the past, we mainly cracked down on illegal operation activities, but now we mainly regulate the business behavior of licensed taxis." Yang Yongjun said that with the development of society, people have more choices when traveling. As a passenger transportation management department, we must ensure that citizens who travel by taxi have a more comfortable and comfortable riding environment, and constantly improve the public’s riding experience.

(Photo courtesy of the Municipal Passenger Transport Administration)

　　"It costs money to buy an oil car, but it costs life to buy a tram". After witnessing the news that many batteries caught fire, collided and fell apart, and the intelligent driving failed, many users love and fear electric cars. Want to experience its performance and economy, but worry about its security. In fact, we don’t have to give up eating because of choking. Whether an electric car is safe or not depends not on whether it is an "electric car", but on the safety strength of the vehicle itself. So, what kind of car is "safe" in the current new energy market? The answer to this question can be given to you by asking the M5 version.

　　Active and safe, high-level intelligent driving covers more scenes.

　　Examples of smart driving failures of some brands are not uncommon, which is also the key reason why many users are uneasy about smart electric vehicles. In this regard, I am very cautious about asking the M5 Smart Driving Edition. The HUAWEI ADS 2.0 advanced intelligent driving system equipped with this car is a leading presence in the industry. It is equipped with 1 overhead lidar, 3 millimeter-wave radars, 11 high-definition cameras for lateral and backward visual perception and 12 ultrasonic radars, which can accurately perceive both static targets and dynamic objects. It has laid a solid foundation for every safe trip.

　　The excellent hardware configuration determines the active safety performance of the M5 Intelligent Driving Edition in practical vehicles. Previously, some media have tested the pilot assistance function of this car together with Tucki G6 and Ideal L7MAX. In the urban ground road scene, for the intersection passing success rate test project, the crossing passing success rate of Zhijie M5 version reached 98.86%, while that of Tucki G6 was only 96.43%, which shows the superiority of the former in active avoidance. This also means that when we pass through intersections and traffic lights, it can effectively identify and ensure our safe passage. If there are pedestrians on the zebra crossing, they will also recognize courtesy to avoid the risk of accidents due to occasional distraction when driving and failure to pay attention to the pedestrians and vehicles in front.

　　In the same scene, the coverage mileage of pilot-assisted driving in Wenjie M5 version is better than Xiaopeng G6, with the former reaching 93.86% and the latter only 82.86%. Obviously, the former has more time to free the driver’s hands and travel more easily. In the test project of the success rate of ramp import and export in the urban elevated road scene, the success rate of Wujie M5 version is as high as 100%, and the ideal L7Max is only 35.71%. Coincidentally, in the MPI (Average Takeover Mileage) of inter-city expressway, the intelligent driving version of the M5 is 270.67km, and the ideal L7Max is only 41.31km. It can be seen that, as far as reliability is concerned, the M5 version of Zhijia has the strength of "real money and silver". No matter the complex road conditions in the urban area, or the road conditions such as urban elevated roads and intercity highways, this car can easily help us cope with it, and it is a close-fitting "old driver".

　　At the same time, Wujie M5 Smart Driving Edition also has four MIMO (Multiple Input Multiple Output) antennas for mobile communication, with higher signal strength, wider coverage and smoother smart driving experience. In addition, it has a strong ability to recognize and process objects by integrating the sensing bird’s eye view network (BEV) and the general obstacle detection (GOD) network. This is not to brag about the M5 version, but to have facts and basis. In the AEB (Automatic Emergency Braking) test safety response speed boundary test held by Autolab, the performance of many test items set by the media with the M5 intelligent driving version directly surpassed Tesla Model Y, Ideal L9 and other models.

　　Specifically, in the mixed scene of stationary cars and pedestrians at the front and rear, the complex environment and changeable factors will test the driver’s concentration and driving ability, and a collision will occur if he is not careful, which is also an important scene to test smart driving. In the test in this scenario, the response performance of Jiejie M5 Intelligent Driving Edition at the speed of 90kph far exceeds the response capability of Tesla Model Y at the speed of 60kph, and the former has faster response and higher safety.

　　In addition, "adult ghost probe", as a high-incidence cause of accidents in urban areas, makes many drivers call it "headache". In the actual measurement, when the response speed of Tucki P7i and ideal L9 is 35kph and 65kph respectively, the intelligent driving version of Wenjie M5 is one step ahead with a score of 75kph, not to mention the "side dummy" which is difficult to recognize by other models.

　　In fact, people’s living boundaries are constantly being broken, and people are looking forward to exploring the diversity and richness of life. Cars that can meet the needs of multi-scene travel are precious, especially with the label "high safety in smart driving", it is difficult not to become consumers’ hearts. Obviously, among the above-mentioned models, the intelligent driving version of the M5 is obviously more worthy of choice.

　　Passive safety is excellent, and multi-dimensional protection eliminates security risks

　　The battery safety of electric vehicles has always attracted much attention, and the M5 Smart Driving Edition has adopted many "black technologies" to break everyone’s doubts. This car battery comes from a top supplier, and each battery cell adopts diaphragm fire-proof coating technology to avoid safety risks from the root. At the same time, the advanced BMS battery management system can provide early warning and protection in time after the thermal runaway signal appears, and further kill the safety risks such as fire in the cradle.

　　For body safety, this car uses a cage-type safety body with higher safety. More than 60% of the body is made of high-strength steel, and the proportion of thermoformed steel is 19%. This also means that asking for the M5 version is equivalent to protecting every passenger in the car in the "safety net", which greatly reduces the possible casualties after the collision.

　　Not only that, in the cockpit, this car is designed according to the standard of "China Automobile Health Index (C-AHI)", and adopts an environmentally friendly water-based glue adhesive which can reduce odor volatilization. A good interior environment can bring health protection to every passenger in the car, and it can also ensure worry-free travel. Previously, this car had won the passenger car Health+ cockpit certification, CN95 health cockpit 5A certification and China automobile health index C-AHI all five stars.

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　　From the recent industry media measurement, we can intuitively understand that the M5 version of Zhijie has achieved the ultimate in active and passive safety, ahead of many competing products at the same level. An electric vehicle with excellent safety is enough to eliminate everyone’s concerns about the safety of electric vehicles. Based on this, the intelligent and safe version of the M5 Intelligent Driving Edition undoubtedly provides a better direction for everyone’s choice.

"subject three"

It is the hottest dance of the year in 2023.

recent days

"Rehearsal of Spring Festival Evening in Many Places is subject 3"

Arouse netizens’ attention

It is understood that

Zhao Benshan disciple Song Xiaofeng

When recording the Spring Festival Evening sketch on Anhui TV

Dance the dance fragments of subject three

Spread widely on the internet

January 18th

Sketch director and actor Gao Hailong

Tell to the media

It is necessary for the plot to set up Song Xiaofeng to jump subject three in the sketch.

Not for the sake of adding.

Gao Hailong said that the online spread is only a fragment, not the whole story, so netizens will feel that the stalk is very hard, and the audience watching the whole process will not feel this way. "old terrier new stalks, used properly, are good stalks."

In addition, Guangdong, Liaoning and other provinces also appeared in the rehearsal tidbits of the 2024 Spring Festival Evening. According to media reports, during the rehearsal of the Spring Festival Evening in the Year of the Loong Bay Area of Guangdong Satellite TV, Chaoshan dancers combined traditional Chinese opera with "Subject III" and danced with the music in distinctive costumes.

Source: Video screenshot

In this regard, some netizens expressed disgust.

Any "stalk" will taste bad after being used.

Others said it was acceptable.

Provided that it is used in comedies.

In this regard, some media said that

Like it or not is a personal right.

It is best to bring happiness.

If the emergence of "subject three" wins everyone a smile

That’s enough.

What do you think?

Original title: "Subject III" Dance Should Go to Satellite TV Spring Festival Evening? Director: Proper use is a good stalk, but netizens say … "

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　 　 　 　 CCTV News:The State Administration of Press, Publication, Radio, Film and Television recently released a report on China’s game industry in the first half of this year. The report shows that in the first half of this year, the actual sales revenue of China’s game market reached 99.78 billion yuan, up 26.7% year-on-year, nearly four times the total box office of China’s film industry in the first half of this year.

　 　 　 　 The rise of mobile games occupies half of the country.

　 　 　 　 According to the statistics of the industry report released by the General Administration of Press, Publication, Radio, Film and Television, the number of game users in China has exceeded 500 million in the first half of this year. With the further development of mobile internet technology, the number of users of client games and web games has declined, and the number of mobile game users has increased by 7.5%, reaching 435 million. Correspondingly, the sales revenue of the mobile game market in the first half of this year has reached 56.1 billion, which doubled year-on-year.

In the first half of the year, the sales revenue of the mobile game market reached 56.1 billion, which doubled year on year.

　 　 　 　 Paying attention to independent research and development, and laying out long-term mobile games has become the main strategy of game enterprises. Taking military games as an example, at present, domestic self-developed game products, including Battleship Hunter, world of tanks, World Military, etc., have firmly attracted 80 million fans and become typical representatives in the vertical segmentation field of domestic games.

　 　 　 　 In addition, the report also shows that with the continuous expansion of the market scale of China’s game industry, the degree of concentration of the game industry is getting higher and higher, and enterprises are also expanding and integrating from simple game development to cultural pan-entertainment industries such as network, movies and television. For example, there are more than 700 games on the mobile game platform of Sanqi Mutual Entertainment, with more than 580 million players on the page game platform and more than 65 million overseas registered users. With the help of the user resources and market operation of online games, mobile games and overseas business platforms, the industrial chain of Sanqi Mutual Entertainment Pan-Entertainment has also been continuously expanded, and the development of pan-entertainment such as film and television, show and animation has been achieved.

　 　 　 　 Cultural confidence, strong export of original games

　 　 　 　 According to the data of the semi-annual report of the game industry, in the first half of this year, the overseas market income of China’s independent research and development of online games was 3.99 billion US dollars, about 26.7 billion yuan, up 57.7% year-on-year. The independent research and development of game products with China elements became the main growth driving force for accelerating the expansion of overseas markets.　

Game companies pay more attention to research and development of connotative products with China cultural symbols.

　 　 　 　 Excavating traditional culture, implementing the boutique strategy and taking the best-selling and long-selling route have become the main means and goals for powerful enterprises to expand overseas markets. More and more game companies pay more attention to the research and development of products with China cultural symbols. Statistics of gamma data, professional analysis data from the game industry, are adapted from Jin Yong’s martial arts novels, such as The Legend of the Condor Heroes and The Legend of the Dragon Slayer, and Zhu Xian, which is adapted from the story of Shan Hai Jing, have received good market response in overseas markets and maintained an average annual growth rate of 20%.

　 　 　 　 When the game goes overseas, not only the story should be beautiful, but also the channels should be accessible. Powerful enterprises have begun to set up R&D centers overseas. With the help of six R&D centers established in Shanghai, Singapore, Germany and other places, more than ten domestic game products, such as Legendary World, legend of mir and Dragon Valley, have entered more than 100 countries and regions. Some games have more than 1 million online users at the same time, and the number of active users of Legendary World has been among the top ten in the world for many years.　

　 　 　 　 E-sports market revenue of 36 billion, an increase of more than 40%.

　 　 　 　 The game industry report released by the State Administration of Press, Publication, Radio, Film and Television also shows that from January to June this year, the actual sales revenue of the e-sports game market reached 36 billion yuan, up 43.2% year-on-year, accounting for nearly 40% of the total game industry revenue.

In the first half of the year, more than 100 large and medium-sized e-sports events were held in China.

　 　 　 　 According to the report data of the game industry in the first half of the year, at present, the global users of Knife Tower 2 exceed 100 million, while the players in China account for 12.6%. E-sports has not only loyal players, but also loyal audiences. According to the report, 35% of the audience in China spend six hours a week watching professional e-sports competitions, just like watching sports events. In the first half of the year, more than 100 large and medium-sized e-sports events were held in China. It is estimated that the total prize money for this year will exceed 64 million US dollars, about 430 million yuan. In 2010, the scale of China’s e-sports market was only 4.41 billion yuan, which increased tenfold in six years. China’s e-sports is gradually changing from a follower of the world’s e-sports to a leader and leader.

Easy and casual esports games are favored by players.

　 　 　 　 In addition, in the e-sports market, in addition to highly antagonistic game products, some relaxed and casual e-sports games are also favored by players. A game called "Ball Fight" is loved by all age groups because of its various operating modes and strong interactivity. It has more than 300 million users worldwide and has become a light e-sports game with the largest number of players in the world.

　 　 　 　 Industry experts believe that China’s e-sports industry has grown rapidly and benefited from the optimization of the industrial environment. Last year, the General Administration of Press, Publication, Radio, Film and Television organized the "China Original Game Boutique Publishing Project"; The Ministry of Culture also issued a document to support the creation of regional, national and even international game entertainment competitions; In addition, the Ministry of Education listed "E-sports and Management" as one of the 13 supplementary majors in colleges and universities in 2017.　

　 　 　 　 Experts pointed out that China’s game industry still needs innovative ways to train talents to accelerate its development and achieve stability. We can find and train talents through various ways such as joint recommendation and training by enterprises and colleges, and competition selection and training.

In recent years, under the vigorous promotion of Publicity Department of the Communist Party of China and the State Administration of Radio and Television, documentaries reflecting the current progress in China have attracted increasing attention, and a multi-theme and three-dimensional documentary creation and dissemination pattern in China is taking shape.

Author: Zhang Yanli

Source: People’s Daily (abridged original)

Documentary creation and dissemination is an important part of strengthening international communication capacity building. For a long time, documentaries with authenticity as their essential features, because of their credibility, appeal and artistry, are easy to gain people’s understanding and recognition under different cultural backgrounds, and then become cultural and artistic carriers to tell the story of China well, spread the voice of China and show the true three-dimensional and comprehensive image of China.

　

In terms of subject matter, documentaries on natural science and technology, history and culture are favored in the international community. In recent years, under the vigorous promotion of Publicity Department of the Communist Party of China and the State Administration of Radio and Television, documentaries reflecting the current progress of China have attracted increasing attention, such as the theme of building a century-old party, building a well-off society in an all-round way, tackling poverty and fighting the epidemic. A multi-theme, three-dimensional China documentary creation and dissemination pattern is taking shape.

Pay attention to international expression, co-production and cooperation into common forms.

The international dissemination of documentaries includes two ways: promoting domestic documentaries to "go global" and strengthening international cooperation in co-broadcasting.

　

Since 2021, Publicity Department of the Communist Party of China and the State Administration of Radio and Television have jointly implemented the China Documentary Promotion and Support Project, which supports and rewards outstanding domestic documentaries that have achieved good international communication effects every quarter, accelerates the "going out" of domestic documentaries, tells the story of China to the world, spreads Chinese culture well, and shows a true, three-dimensional and comprehensive China.

At present, some excellent domestic documentaries have brought international communication into their field of vision from the beginning of their creation. Qinghai Our National Park, which is directed by the State Administration of Radio and Television and focuses on the protection and construction of the first batch of national parks, pays attention to international expression. The documentary is broadcast on the international mainstream media platform and won the prize in the international documentary festival.

A series of documentaries "Remember Homesickness" organized by CCTV Chinese International Channel of the Central Radio and Television General Station launched an international edition, which refined the elements of Chinese excellent traditional culture and launched a new exploration of perceiving Chinese culture.

With the continuous updating of the concept of documentary international communication, appropriate international expressions have been used more effectively, and co-production and cooperative communication between China and foreign countries have become a common form of documentary "going out". The number of works created by this way of cooperation is increasing, the themes are increasingly rich, and the partners are increasingly diverse.

　

Producer of the State Council Information Office, the documentary "On Rice, Oil and Salt" about realizing a well-off society in an all-round way is broadcast simultaneously by domestic and foreign mainstream media platforms and market-oriented new media organizations by adopting the co-production and cooperative communication mechanism.

The documentary "The Great Poet Du Fu" filmed by CCTV in cooperation with the British media tells the story of China’s Tang Dynasty poet Du Fu. The whole film is told by British historians in the process of pursuing Du Fu’s life footprint, and Du Fu is compared with Shakespeare and Dante, which are familiar to western audiences, so that foreign audiences can understand the story of Du Fu, a poet in China.

Through the cooperation between China and foreign countries, the story is told from the audience’s perspective, the contextual barriers are broken, and the common empathy points are found, which makes the story easier to understand and accept, and the works are easy to obtain better communication effects.

Pay attention to effect orientation, realize quality and efficiency improvement by internal and external linkage

After the normalization of co-production and cooperative communication between China and foreign countries, there are higher and higher requirements for further improving the ability level of cooperative communication, strengthening the effect orientation of cooperation, and continuously enhancing and optimizing the effectiveness of domestic and international communication of China documentaries.

　

The second season of the documentary "From Chang ‘an to Rome", which was planned by the Central Radio and Television General Station and co-produced by China and Italy, uses the parallel perspective of "A Tale of Two Cities" and short video to tell the story of past lives, two ancient capitals, blending and learning from different civilizations in a simple way, which is an example of cooperative communication of national TV media platforms. Directed by Publicity Department of the Communist Party of China Foreign Promotion Bureau, the documentary "Return to the City of Thorn" takes the Oriental Travel Notes "The City of Light" written by Jacob D ‘Ancona as the lead, decoding the oriental color and influence of China’s marine civilization from a global perspective, and showing Quanzhou as a world cultural heritage to the world.

As the first English documentary showing the course of Wuhan’s fight against COVID-19 epidemic, China International Television, the general radio and television station of China Central, let netizens around the world know the real situation of China’s fight against COVID-19 epidemic in time.

　

Under the background of the rapid development of Internet industry and the deepening of media integration in China, documentaries have entered the "Internet Age". The network platform is not only a communication channel, but also an important emerging force to tell the story of China well with documentaries through highly market-oriented joint production, self-control and cooperation. Tencent video self-made series documentary "Flavor Origin" has won the favor of overseas streaming media platforms. The third part of this series, Flavor Origin Gansu, has been broadcast in more than 190 countries and regions around the world, providing a window for people all over the world to know and understand China culture.

　

"Borrowing the exhibition to the sea" is also an important channel for documentary international communication. By participating in international mainstream documentary festivals and exhibitions, we will take the opportunity of participating in the awards to attract potential partners. Excellent documentaries such as "Love in the Yangtze River" jointly produced by several provincial satellite TV stations along the Yangtze River under the guidance of the State Administration of Radio and Television and led by Shanghai Radio and Television Station have entered the international stage by participating in international mainstream documentary festivals and exhibitions.

Pay attention to humanistic care, and win the recognition of the people through emotional resonance.

Telling the story of a century-old party with a documentary has become a beautiful scenery for the documentary to spread abroad in 2021. The large-scale documentary feature film "Dare to Teach the Sun and Moon to Change the Sky" was carefully translated in a more acceptable way for the target audience. It was broadcast on six channels in five languages, namely English, Spanish, French, Arabic and Russian, and on various new media platforms at the Central Radio and Television General Station. While strengthening the global expression, the program paid attention to regional and differentiated expression, and achieved good external communication effects.

The "Vitality Code" produced by China International Television, the Central Radio and Television General Station, shows the Communist Party of China (CPC)’s unswerving spirit in an international narrative voice, and vividly depicts the historical leap of China’s development. The documentary Return to the Red Flag Canal, co-produced by China Education Television and other units in conjunction with France, explores the era significance of the Red Flag Canal through the eyes of two travelers, and presents the era glory of the Communist Party of China (CPC) people’s spiritual pedigree. The documentary "Journey of the Brave" focuses on the Communist Party of China (CPC)’s great party-building spirit, tells the real experience of revisiting Jiajin Mountains, Wujiang and Qiongya with the help of guests, and vividly explains the great party-building spirit.

　

On the basis of real records, documentaries bear the presentation and construction of human emotions and values, and shoulder the aesthetic pursuit and humanistic care that film and television art should have. Documentary creation should establish a sense of community of human destiny, focusing not only on China’s theme and China’s story, but also on the common concerns of human society, so as to open the channel of emotional resonance with genuine dialogue, thus realizing value recognition and promoting the common feelings of the people.

　

The documentary "The Frozen Kingdom of Snow Leopard", initiated by the Central Radio and Television General Station and co-produced by several international teams, tells the story from an anthropomorphic perspective and endows the work with strong feelings and humanistic care. After the program was broadcast on the opening day of the 15th meeting of the Conference of the Parties to the United Nations Convention on Biological Diversity, it attracted the attention of the international community and showed the natural beauty and cultural charm of China in winter to overseas audiences. The China News Agency of China Foreign Languages Bureau interprets the documentary "Approaching Daliangshan" produced by China Studio and Japanese documentary director Takeuchi Ryo, and tells the story of getting rid of poverty in Daliangshan based on a Japanese director’s personal travel experience in Daliangshan. After the film was launched in mainstream media at home and abroad, it touched many Chinese and foreign netizens.

　

The story of China told by documentary makes the lovely and respectable image of China brighter. Documentary creation has a broader vision, is closer to the times, tells a more peaceful tone, and pays more attention to touching people’s hearts with human empathy.

Editor | Rao Wenyuan Xu Lei

In the early spring, cherry flowers are blooming in the cherry shed of Yuyin Farmers’ Professional Cooperative in Jize County, Handan City, Hebei Province. Fruit farmers shuttle between cherry trees, busy pollinating and thinning flowers to ensure a bumper harvest of cherries. In recent years, Jize County has vigorously developed modern agriculture with fruits and vegetables in greenhouses, which has driven local villagers to increase their income and help rural revitalization.

Source: Xinhua News Agency

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Thousands of cities and counties see China-Hebei Jize: Cherry blossoms are busy pollinating Xingtai Xindu Court to read the original text lightly.

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Original title: "Thousands of cities and counties see China-Hebei Jize: cherry blossoms are busy with pollination"

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