What’s the secret of Lin Shaochun’s wedding crown with fluffy balls in Yulouchun？

White Deer and Wang Yizhe’s "Spring in the Jade House" is being broadcasted. Although the drama has chosen an overhead historical background, it still takes the Ming Dynasty as the main reference in art and costume modeling. A few days ago, the play production designer Luan Hexin, styling director.Song xiaotaoInterview with the media. In Luan Hexin’s view, Yulouchun tells a short story of a parent, with laughter and laughter, so the aesthetic style of the play is warmth. "I want to present the audience with an emotional connection and warmth in a big family." Most of the indoor scenes in the play are warm colors, and the design of Sunfu Garden adopts the traditional paintings of green mountains and rivers. It refers to a large number of architectural styles in the Tang, Song and Ming Dynasties, and makes some color matching of architectural styles, removing the cold colors and changing them into warm colors, hoping to present the audience with a living atmosphere containing the life feelings of the characters.

The setting of "Jade House Spring" fits the plot.

Sun Fu: The living environment of each character has been designed uniquely.

Most of the plots in the play are carried out in Sunfu. From the perspective of art, the living environment of each character in Sunfu has been designed relatively uniquely. According to Luan Hexin, for example, Sun Yulou’s room, before Sun Yulou married Lin Shaochun, his room was mainly for fun, like a dude. After Lin Shaochun moved into Sun House, the living room environment of Sun Yulou showed some feminine colors, showing Lin Shaochun’s sense of invasion to the environment. The overall design of Sun Jinge and Adrian Xu Qiaojia is more like a drama stage, and there is a sense of height between husband and wife. Sun Jinge has a lower status than his wife. Their home embodies a theme setting that women are the biggest, with strong red color and strong warm tone to set off the overall atmosphere.

The living environment of each character has been designed uniquely.

Troupe: What I want to do is a dazzling array of happiness and happiness.

Luan Hexin was once shortlisted for the Best Art Award of Magnolia with "Bones are not Begonia Red", and both plays also have elements of a troupe. In Luan Hexin’s view, "Bones" is a drama of the Republic of China, which is decadent in the historical background of troubled times. And the 100-troupe of "Yulouchun" is more like an ancient acrobatic troupe. What it wants to do is a dazzling array of happiness and happiness, which is more relaxed. Therefore, in the hundred theatrical troupes, there are both stages and acrobatic areas. In the play, the living environment of Master Lin Shaochun, Liu Sanjue, has also been specially designed. In the end, no matter what stunts Liu Sanjue has, he has returned to an invalid state, so he can see a Zen sense of being born and an ultimate sense of elegance in his living environment. At the same time, the partition in Liu Sanjue’s room is a symbol of the waning moon, which is also to give the audience some hidden information from the picture language.

Props: 80% of furniture props are made by the crew.

There are some very elegant furniture props in the play. Luan Hexin said that 80% of the furniture props involved in the environment in the play are basically made by the crew themselves. I hope that we can go to complexity and simplicity, so that these props will not jump out of the environment and grab the picture, so more furniture with straight lines is made. "Some props are not up to the production process because of the materials and texture. After they are purchased, we need to re-do the effect processing after two times.

[Modeling Guidance Explaining Character Modeling]

Lin shaochun

Lin Shaochun was born in a complicated family. Miss Official was exiled to the people, and was brought up by Master in Baixi Troupe. In her early days, she was the clothes of ordinary people in the troupe, but it was not too bad. It was a common material, such as linen, but it had exquisite details. Because she is a girl with strong embroidery skills, even simple clothes, she can use her skillful hands to make some decorations, and she will use small embroidery to represent her little thoughts on clothes. The Sun family is a big family. After she married into the Sun family, her dress was close to the style of a wealthy family, and she used the unique cloak, lapel and pleated skirt of the Ming Dynasty.

Sunyulou

Sun Yulou is a feeling of light clouds and light winds. He is a kind and simple person with little talent. He grew up in a scholarly family, a family of officials, but he didn’t pay much attention to these things, just wanted to live happily, so his clothes were relatively simple, but tasteful, with amber, ultramarine blue, and some landscape painting and embroidery, which reflected that Sun Yulou was a master of everyone and had a very bookish feeling.

Lin Shaochun and Sun Yulou’s Wedding Dress

Historically, men’s wedding dresses in the Ming Dynasty were quite simple. Women are well-dressed, and we use the way of cloud shoulders and sleeves. There are cloud shoulders and flowers all the way to the cuffs, and embroidery is mainly based on precious flowers, which is the feeling of wealth and splendor.

Lin Shaochun’s wedding crown is unusual. The wedding crown has always been just gold and silver, gold ornaments or inlaid treasures. This time we added some small pompoms. Traditional Chinese opera clothes usually carry a lot of small pompoms, and some ancient paintings I have seen, Ming Dynasty people (headdresses) will have some small pompoms. So this time, we chose the decoration of fluffy balls to put on the wedding crown, which made it feel a little bit of opera.

Lin Shaochun and Sun Yulou’s daily clothes and wedding clothes.

Sun Shijie (the eldest of the Sun family)

Sun Shijie is a scholar who turns a deaf ear to things outside the window. He is very pedantic, so his clothes are dressed in some particularly elegant colors, but they are very formal, such as some symmetrical embroidery or some bamboo, to represent that he is a bookish and particularly stuffy person.

Sun Junhao (Sun Jia Lao Er)

Sun Junhao is a military attache, who is very restrained and a little dull, so his clothes are very neat, like official casual clothes, straight and simple.

Sunjinge (Sunjia Laosan)

Sun Jinge is very funny, which is the funny responsibility in the whole play. He has the feeling of a dude, so his modeling also uses vulgar and rich elements, the feeling of wearing gold and silver, and a lot of flower patterns on his body, which makes him come out with very rich comedy colors.

Wu Yuehong (Big Mistress)

Wu Yuehong, as the eldest daughter-in-law of Taifufu and the daughter of a military commander, has a warm and straightforward personality, treats people sincerely and loves to dance with knives and guns. Therefore, the colors of her clothes are mostly solid colors, which reflects the enthusiasm of the characters. The style is mainly vest with collar gown, and the layers are distinct and informal.

Everyone’s clothes in the play fit the character.

Su Yingxue (Second Mistress)

Su Yingxue’s overall style is elegant in color, and the use of pale pink and white better sets off Su Yingxue’s identity of being born in a big family and his gentle and elegant personality.

Xu Fengqiao (Third Mistress)

Xu Fengqiao, as the third young lady of Taifu House, is sharp-tongued and arrogant, so her costume color matching is also the most distinctive and bold in the play.

Beijing News reporter Liu Wei

Editor Tong Na proofreads Wu Xingfa.